First, and most importantly, look what grocery day brought:
PG Tips (aka TEA OF THE GODS)
To borrow the sayings from Viking in Love: Thank Thor!
So – final post on the mullet sporting Caedmon and the Viking princess Breanne. And, like last time, this is the family post.
Summation: Caedmon – The Captain VonTrapp of Sexy Vikings and Breanne – the nun (well, princess but you get the metaphor) who gives up her virginity and agrees to sleep with Caedmon for ten days so he will let her sisters stay at his house longer.
Didn’t make that last part up … any of it up, actually. The children, by the end, respond to a whistle, even. And, yes, the girls figure that, to protect themselves, they need to stay at Caedmon’s longer so that means one of them has to seduce him. OF COURSE they choose Breanne and OF COURSE Caedmon turns the tables on her and gives her that ten night offer.
What does this have to do with family then?
Well, remember Robbie from the last book? He was very invested in the idea of soulmates. He was happy to have children, yadda yadda yadda and that’s what he gets in the end.
Caedmon already has a herd of children – some of whom may not actually be his but he takes care of anyway … as best as a man with a mullet can.
Here’s one of the summaries of these children:
“‘Pfff! There were ten last time I counted, but God only knows how many are really mine. And, yea, I am certain there will be more by now.’ Caedmon had wed and buried two wives, leaving behind three legitimate children, the nine-year-old Beth and six-year-old twins Alfred and Aidan, but he had also had his fair share of unfortunately fertile mistresses and bedmates over the years. He was, after all, thirty and four. He grinned at them. ‘Can I kept it if I am a virile man?’ And dumb as dirt when it comes to keeping my cock in my breeches.” p.17-18
To be completely honest, I lose track of who is who with the children (though, can Caedmon make it through a page without referring to his penis?) – but I don’t think it really matters. What does matter is that they are, not surprisingly, all very fond of their father … or ‘father.’
“First, nine-year-old Beth launched herself at him. He caught her about her tiny waist, and she clung to him with her skinny legs wrapped half-way around his hips … One of the six-year-old twins, Alfred, or was it Aidan, clutched his thigh and held on tight, cutting off blood flow to an important region of his body.” p.29
Again with the penis. But more on that in a second.
Like Robbie, Caedmon is a teddy bear when it comes to family. Not surprisingly, he doesn’t want any more children, but with the ones he has, he’s rather sweet with. They even like to burt through the bedroom door:
“Beth blinked at him through tear-filled eyes. What? Did she want to be a princess, too? ‘Aunt Alys wants ye to wed again, Father.’
‘That is so she can flit off and ignore her responsibilities.’ Really this was a ludicrous situation. ‘And you, Hugh, what do you think?’
Hugh’s pale face turned paler, with rosy patches on his cheeks. Hugh did not like to call attention to himself, this son of his. ‘I like the Lady Breanne,’ he said, as if that had been the question.
‘Well, I am not in the market for a wife, and neither are the princesses wanting to wed.’ Leastways, he did not think so.
All their little shoulders drooped.
‘Why is there a tent behind Piers’s bottom?” Joanna inquired, cocking her head to the side to see better.
Everyone else, except for Piers, also looked to the section of the sheet over his [Caedmon’s] manpart. Oh my God! He immediately raised his knees to hide his ‘tent.’
‘Do you know nothing, Joanna?’ Oslac commented. ‘We men have morning thickenings to deal with.'” p.154
For some reason, the children also talk about sex. I guess like father like … well all ten children. It’s a bit disturbing … my reaction:
But, stepping away from the fact that these children are kinda disturbed (I mean, kids say the weirdest things but given the context of this book … does the children’s dialogue need to contain sexual stuff?) – I think they are mere plot devices.
So – not really children: plot devices.
Why? Well, it’s their little trick in the end that gets Caedmon and Breanne married. The children, first off, are very fond of Breanne. Above you can see Hugh express this and they continue to – straight to the end where it is assumed she is leaving.
“‘I like to sit on her lap.’ Six-year-old Alfred sighed.
‘Me, too.’ This from his twin Aidan.
‘She smells good.’ Mina sniffed the air as if she could actually smelly [sic] Breanne’s rose-scented soap.
‘And father wants her, too, I am convinced of that, or I would not have been involved in this.’ Hugh was the oldest and most responsible. He would be the one to suffer if the plan did not work.” p.335
Breanne also protects from bullies, gets them in order, the usual. So the kids’ plan? Sex of course!
“‘Yea, we must give Father plenty of time to tup Breanne silly so that she will want to stay with him forever.’ Kendrick thought hr knew everything about grown-up things.” p.336.
Again, the kids are plot devices: they make Caedmon from the start look like a family man, and they come in as a deus ex machina when Hill sort of traps herself in the corner of a plot. That is, all the conflicts of the novel (though again, in terms of an actual plot, we care very little) are solved, Breanne is going home, so how does one get her to stay?
The kids! On a chariot driven by dragons! Rawr!
I made that last part up.
But the kids really are a deus ex machina here. They do trap the adults, the adults do ‘tup,’ and they get caught by … well, everyone, and thus have to marry.
And what about Caedmon’s whole ‘never want to get married or have more kids’ shtick (and Breanne does feel bad because she knows the whole … shtick, of course)?
“I love you, Breanne. You are probably going to turn my home into a madhouse. You are probably never going to be biddable. You are probably going to have five daughters, just to plague me. But I live you and am proud to be your husband.” p.358
And what do we have at the end of this novel? A happy family. The parents are happy. The kids are happy. And the readers satisfied. Everything ended as it should – just as in the previous text.
Family seems to be an important element to the end of a romance novel. And, as I’ve said many times before, I have only read two so far, but the thread of family – children, a home, etc. – is always present (even in this porno).
So, even with the crazy deus ex machina children – we get the expected ending.
Caedmon’s every present penis throbbingly thanks you for your time.
And now I am going to fix myself another cup of tea, settle in with North and South (yeah, I’ve already started reading it – so much for waiting until the weekend) or maybe give my eyes a break and watch the Bleak House mini-series. I started it again last night because – without a doubt – I am in love with Sergeant George.
I mean, come on! Look at him! How awesome is he? And a heart of freakin' gold!
Plus, I’ve watched Little Dorrit so much I think my computer will, at some point, turn against me.
PALATE CLEANSER! CLICK ME!
Hill, Sandra. Viking in Love. New York: Avon Books, 2010.